Archive for the ‘classic gaming’ Category

Know Your Onions

Sunday, October 12th, 2014

One of my English teachers in high school liked to say that at that level, we’re not actually learning history, we’re actually just learning History’s Greatest Hits. At the time I just laughed it off as a silly joke (he made lots of those), but, over time, I realized he was right. You go through school and get an overview of history (and just about every subject) by hitting the high points so you’re not completely ignorant of how the world and the US got where they are today. But the thing is, there’s so much history (and more of it all the time!) that it’s impossible to know it all. If you’re interested, though, you will go beyond the bare minimum required to pass your high school (and even college) classes. Most of us, though, probably don’t care about that kind of history enough to do more than watch the occasional documentary on PBS, or whatever Drunk History counts as. So, we know some history, but historians, people who love history, know lots more. That sounds obvious, but they do more than watch documentaries in order to feel smart. They do research: they read books (the horror!), they talk to other historians, they visit historic places, and so on. They know that there is more to history than everyone was required to learn in school, and they know that knowledge is out there, they just have to go get it. A lot of times they’ll specialize in one particular area and learn everything they can about it.

You probably think that being a hardcore historian is probably not for you, though. You may not care if Shakespeare actually wrote all his plays or not. You may think that Socrates is just some dead Greek dude who was the subject of a few jokes in the first Bill & Ted movie. Besides, you like video games (well, if you’re reading this site, there’s a pretty good chance that you like video games). Video games are way better than boring old history any day of the week.

But what about video game history?

Felipe Pepe wrote an intresting article on Gamasutra the other day lamenting that a lot of so-called ‘hardcore gamers’ don’t know much about the history of video games past five or ten years or so ago.

That is a disappointing realization.

Video games are becoming (or maybe have already become) a mainstream form of entertainment for everyone, but they’ve been around in one form another since at least the late 1940s. No, that’s not a typo.

Warning: From this point on, I’m going to probably sound like either a hipster or an old man yelling at a butt. You have been warned.

When I say “retro gaming” or “old video games” what do you think of? I’m going to guess that it’s Super Mario Bros or The Legend of Zelda. Maybe just the NES, Super NES, and maybe even the Genesis. Possibly Pong. You may even know that Pong was a big deal in the 80’s. It was, but it was an even bigger deal when it came out in 1972.

You may have heard about the Commodore 64, but do you know anything about it? Can you name five games for it without looking them up? Have you ever heard of the VIC-20? The PET? The Commodore 16? The Commodore 128? The Amiga? Do you know who Jack Tramiel was? Do you know why Bill Cosby is an important figure in Commodore’s history?

You might have heard about the Atari 2600, but what about the reissued Atari 2600 Jr.? The Atari 7800? The Atari 8-bit line? Do you know who Nolan Bushnell is?

Did you know that Texas Instruments had a line of computers that played games? Did you know that the TI-99/4A is actually a revised model of the TI-99/4? Did you know it supported a voice module to enable real actual speech? Do you know who its spokesperson was and why that’s important?

Do you know why games like Diablo are called ‘rogue-like’?

More importantly, have you ever actually played these games that are more than 5 years old? How about 10? 20? Further back? I don’t mean ‘load them up in an emulator and fart around with one for five minutes’, I mean actually play them for a decent amount of time. Try to finish one or set a high score (without abusing savestates, natch). Did you play something outside of the games you’ve heard of (the ‘video games greatest hits’)?

The Problem

While doing some independent research on Ironsword, the game infamous for having Fabio on the label, Wikipedia cites a GameSpy article that says:

You wouldn’t know it from the cover, but IronSword is actually a sequel to Wizards & Warriors. But thanks to the presence of Fabio on the cover, gamers got confused and thought they had accidentally picked up one of their mom’s romance novels.

It also posts a cropped picture of the label (with Fabio’s Fabulous Hair) with the caption that “Anything Fabio is involved in becomes automatically bad.”

I suppose the author was trying to be funny, I get that. But it’s pretty clear that the image was cropped to make that joke, since the full image clearly has, “Ironsword: Wizards & Warriors II” at the top of the label. And, I guess I could mistake a video game for a book if I had never seen a book or a video game before. And the game itself is actually pretty good.

The problem is threefold:

  1. Old consoles are hard to find, take up room to store, and emulating games is questionably legal.
  2. A lot of writers for big sites are in their 20s. That’s not necessarily a problem, but a lot of these games came out before they were born, and since old consoles are tough to find, they probably won’t bother. They just rely on Wikipedia, cruddy Youtube videos, and other sources of second-hand (or even third-hand and fourth-hand) information.
  3. Since old consoles are hard to find, and a lot of people won’t bother trying to find or buy them anyway, the echo-chamber effect starts to take over. For instance, Phalanx for SNES usually gets lambasted as having a dumb box featuring a hillbilly playing a banjo. The game must be terrible, whatever it is, right? Wrong. It’s a passable shoot-em-up. Or, ET for the Atari 2600 is the worst game ever made, right? Nope. ET isn’t even the worst game on the Atari 2600 (Sneak ‘n’ Peek, for example). Custer’s Revenge gets a bad rap as one of the worst games ever made (and it is bad, don’t get me wrong), but it was one of those porno games, like Bubble Bath Babes on the NES (don’t Search for these games at work). It was never sitting on the shelf at your local Hills next to Kaboom and Chopper Command.

What all this means is that we have a lot of people writing authoritatively on things that they know very little about. It’s like if you were writing for a music website, but the only thing you knew about music older than 10 years is the songs from your local radio station’s 80’s dance mix, and you just assume that everything pre-1970 is either The Twist or the Foxtrot.

So, what’s the solution?

Unfortunately, I can’t demand that everyone writing about video games broaden their horizons in any meaningful way (if only). But what I can do is demand excellence, both from myself, and from the publications that I read. At the risk of being labeled a pedant and a hipster and a fogey, I can point out why your top whatever list is dumb and wrong, like this list of the 100 best games of all time that only has one game made before 1990 on it (which is Mega Man II. That’s not even the best Mega Man game on the NES).

I don’t want the industry, the consumers, or the media to forget what got us here. I don’t want the past 50+ years of games distilled down to Pong, Pac-Man, some NES stuff, and then everything else. I want to be able to discuss Pix the Cat as being a cross between Pac-Man Championship Edition and Flicky without someone not knowing what I’m talking about. We need to have one eye on the past and another on the future. And a video camera on the present, I guess? I’m not good with metaphors. Video games have a vibrant history, and a lot of that history directly shapes what we have today. Several of those experiences have not been duplicated. They may have been refined or cast off as the medium evolves, but when we study them, it helps us to know why things are now the way they are.

Indie, Indie, Indie (Games)

Sunday, September 28th, 2014

We live in a weird time for video games. They’re becoming (and some might say, have already become) mainstream entertainment, and as they grow and mature, and grow, and then grow some more, we start to see some interesting things happen. The barriers to enter the video game market are as low as they’ve ever been, anyone with a computer, programming reference materials, time and passion, can make a game and get it to market, but budgets for so-called “AAA” games are bigger than they’ve ever been, and are getting bigger all the time. Bigger budgets mean that there’s more of a needs to recoup any costs, and doing that means playing it safe. Do what worked in the past, tweak it a little bit, increment the version counter, and then sell it again.

The downside to this is that there is less risk-taking, less variety, and more homogenization. This is good, if you like the current blockbustery flavor-of-the-month game, which I usually don’t. If you’re anything like me, and I’m starting to think that very few of you are, then you want something new once in a while. Something with new characters, new settings, new gameplay ideas, and new concepts.

This is where ‘indie’ games have started to step up their game. Apparently, the only real qualification to be an idie game is that it is developed without backing from a publisher. In the traditional model, a game company would either have an idea, get it to a prototype stage, and search for a publisher to fund the remaining development of the game, or they would be approached by a publisher about making something and then they would get funding to make it. This is weird, since a big-name developer can develop a game and technically it would still be ‘indie’, even though the idea of ‘indie’ seems to be a small team slaving away in a tiny studio somewhere, that’s not always the case.

*I feel like I should note at this point that indie game developers have been around since removable media was invented. You might remember something called ‘shareware‘.

So, what all this means is that, if you want to look for them, there are lots of games being released outside the traditional channels. They won’t necessarily show up in stores or on your favorite video game “news” site. But they’re out there. In fact, there are so many indie games out in the wild now that it’s quickly becoming impossible to even attempt to play them all. And, if you want to develop and release something into the Indie World(tm) you’re going to almost immediately get lost in the shuffle. Unless, of course, you generate buzz.

How do you generate buzz? Word of mouth works, if your game is truly amazing, and you can get a critical mass of people playing about it in the first place, and those people actually tell other people about it, and those people actually download the game and like it, and then continue the cycle (which is much harder than it sounds). Or you can try to get some coverage on one of the millions of game blogs out there. Or you can try to get your game into one of the dozens of ‘indie bundles‘ floating around the internet. Or, etc., etc. All while combating piracy, providing technical support, and maybe trying to work on whatever’s next, all while trying to put food on the table and make sure bills are getting paid.

This means that for every Minecraft or World of Goo or <insert_favorite_indie_game_here> there are dozens of games like Kairo, Goat Simulator, or Dungeon Hearts that just aren’t very good (if you liked them, fine, I’m not here to start an argument), and finding the gems in the firehose of mediocrity is extremely difficult.

So, where does all of this leave us? On one hand, we have formulaic games coming out at a rapid clip with high production values, high cost, and high marketing budgets, and on the other we have games that come out and absolutely insane pace, have production values all over the place, cost a bit less (usually), and have marketing budgets so small that you couldn’t use it to buy a Big Mac. The signal to noise ratio is about the same, but “news” about blockbuster games falls into my lap, and I have to work to find an indie game I might like.

I don’t really know what the solution to all of this is. Maybe there is none. But I do know that the video game landscape is changing faster than the media covering it has been. Weren’t blogs supposed to be faster, and more agile than print media, without the physical limitations? Weren’t they supposed to be able to react and adapt to change, while still covering what’s important?

I’ll tackle that can of worms next time.

Backlog, Schmacklog

Sunday, September 14th, 2014

As recently as a month ago, I was making grand proclamations about how I was going to knuckle down and get my backlog under control. I was going to pare down that list bit by bit and eliminate it once and for all. That was a good idea, in theory, and I am still making progress toward that goal, but I very quickly came to a realization: No matter what I do, my backlog is probably never going to be zero.

And I’m okay with that.

Now, I’m not saying that I’m giving up and am going to let myself drown under an ever-growing pile of unfinished games. That would be crazy. But I did go through my backlog and I identified three kinds of games in there and my likeliness to get them finished as a good first step.

Type 1 – Games I got as a part of a bundle that I didn’t really want in the first place. There are way, way too many game bundles floating around on the Internet. Lots of these game bundles are ‘pay what you want’ with special plums if you pay over a certain dollar amount. The big problem is that you get a game that you want, that is maybe pretty good, and you also get four or five (or more) other games that you’ve never heard of, didn’t really want, and may never play. I have lots of these artificially inflating the number of games in my backlog, so it looks worse than it actually is. It’s tempting to get rid of a lot of these games, but since most of them are digital-only, I’m stuck with them.

Type 2 – Games that looked interesting or were recommended, but it turns out that I didn’t like. Games like 3D-Dot Game Heroes get moderately favorable reviews, and look interesting enough for a try (or were in the bargain bin), but on putting them in, it turns out that they’re just not very good. I’m sure that to someone somewhere these games are good, but I’m not going to waste my time slogging through them if I’m not having any fun doing it.

Type 3 – Games that are just too long. Probably until I either retire or hit the lottery, my time for playing games is limited, and even when I do get a chance to play, I may not be able to play in long stretches. Some weeks I can manage six or eight hours, and other weeks it’s a bit less (like zero). That time may not be in big chunks, either. Some days I might only have a few ten or twenty minute chunks of time that I can devote to a game, other days it might be two or three hours. If I can’t pick up a game and put it down after a few minutes, I may end up putting it down and coming back to it just after never. If a game takes 40 or more hours to complete, and I can work in 10 hours a week playing it, it’s still going to take me a month or so to get to the end.

What are the odds that I’m going to finish these up? Type 1 is very unlikely. I might play it once to see what it’s all about, or I might never look at it. I didn’t really want it in the first place, so these don’t count toward my backlog. I can write them off.

Type 2 games can also be written off. I’m not going to force myself to play something I didn’t like. If I gave it a try and didn’t like it enough to finish it, or at all, then I’m knocking it out of the backlog.

Type 3 games are an interesting category. Games that I liked, probably, but took so long to play that I just got tired of playing them every free evening for a month or more. These games I’d like to get back to, but the odds of me doing that are directly related to how long it’s been since I played it last. A game that I last played a month ago? There’s a decent chance I’ll give it another go in a couple of weeks after I’ve played something short to ‘cleanse my palate’, so to speak. Something I stopped playing in 2007 two consoles ago? Assuming I remember that I have a saved game, and the console is still hooked up to my television, I might play again. But, realistically, we can take these off the list, too, if they haven’t been played in the last year.

And, just like that, my backlog goes from insane and completely unmanageable to slightly off-kilter and kind of manageable.

It’s a start. I’ll take it.

My love/hate relationship with video games part 2 – The Media

Sunday, September 22nd, 2013

Welcome to part two of my series exploring my relationship with video games. Part one is available here. I’ll wait while you get up to speed, and you can join me in the next paragraph.

Writing is hard. Maybe I should qualify that a little bit: writing things is easy, any schmuck can go to his local library, access a computer, and start up a blog for the low price of free. And just like that, you’re a blogger. No requirements, experience, or anything required other than being able to remember a password. The barriers to entry are the lowest they’ve ever been to be able to write about whatever pops into your head and present it before a worldwide audience. It’s actually kind of ridiculous. But actually getting someone, anyone, to read what you wrote? That’s the hard part. No matter how good your writing is (or how good you think your writing is), unless you get an audience for it, you’ll be just about as effective sitting at a rest stop in the middle of Arkansas, writing your articles in a spiral notebook, crumpling them up and throwing them at anyone that happens to walk by, and hoping that they’ll be interested enough to read what you threw.

So, you take the advice of the Old Guard that have been where you are now. The people who started out with nothing, grew it into a publishing empire, and get paid to do what you’ve wanted to do since you could hold a pencil: they get paid to play and write about video games. You write what you know. But you find that, since you’re not already in the news business, you don’t really know all that much that nobody else already knows, and what you do know has already been reported on by everyone. But, I mean, people already do that, right? Any major news story is going to be reported by everyone, so you can just use their same stories, slap a veneer of your own couple of sentences of commentary, and you’ve got a news article. Keep doing that all day every day and you have yourself a news site.

Kind of.

Creating something original that’s consistently great (or at least good) is hard, and the people who are truly great at it can make it look easy. So easy that people will see something successful, and immediately emulate it, maybe changing one or two details to ‘make it their own’ (“Everybody loves nostalgia, right? So how about we make a video series talking about some old games, but the hook is that the guy talking about them is furious. All the time. It’ll be hilarious!”). The problem is: it sometimes works. We eventually get to the point where (in this case) video game news spread across dozens of big sites and hundreds (maybe thousands) of smaller sites becomes a homogenized grey mass, with the occasional original piece thrown in for color. That’s just a fancy way of saying that the bulk of most video game news sites are interchangable, so why would I bother visiting more than one? For the original content? Nope. If Kotaku posts something interesting, Destructoid will mention it. If Joystiq posts something worth reading, the MTV Multiplayer blog has you covered.

That’s not new, I have some experience in the news industry, and it’s how news reporting has works. It’s understandable, really. There are only so many hours in a day, and if you had to personally research and vet everything that you posted, you’d only get two or three stories a day done, maximum. The world of video games is bigger than it’s ever been, and yet practically the only place you can find coverage of the industry is on the Internet. And on the Internet, for better or worse, coverage == blogs.

Blogs are interesting. They are (usually) easier to update than a static site, they can be updated any time by anyone without having to figure out how to upload a few new .html documents via FTP, and are good for things like a personal diary or, yes, even news coverage. In fact, that you’ll be hard pressed to find a site covering video game that isn’t a blog.

So many blogs

So many blogs

Why is that? Because it works. Why does it work? Well, for me, that’s trickier.

I grew up reading computer and video game magazines like BYTE and Compute!, and eventually stuff like the How to Win at Nintendo Games series, Nintendo Power, EGM, and the occasional GamePro. All of those are defunct now (although EGM has been revived, apparently), but before they left, they impressed one thing on me: people who write about video games (even when what’s getting written is aimed at a child) have a certain style. They would sometimes use words I didn’t know, which was totally fine, they’re professional writers, after all, I could glean the meaning or go research what the thing meant, which was great. It slyly made me learn something I would have never learned on my own while I was learning about something I wanted to know. It reminds me of a quote by Stan Lee (you know, the comic book guy (no, not that Comic Book Guy)):

“People thought (comics) were just for very, very young children or semi-literate adults; nobody had any respect for comics,” Lee said. “Little by little — and I’d like to think Marvel had something to do with that — I started using stories that had college-level vocabulary. I would use whatever word is apt in a sentence. If I would use like — oh, I don’t know — ‘misanthropic,’ let’s say, I’d go ahead and use it. I figured if the kids didn’t know what it meant, they’d get it by osmosis, by the use of the sentence. If they had to go to the dictionary and look it up, that wasn’t the worst thing that could happen.”

Which just a lot of words to say that these early writers started covering an unfamiliar medium using conventional media, and didn’t dumb down their writing for the masses. Things were a little stuffy, sure. But I loved it anyway. I always loved how the books and magazines I got my hands on felt like the writer was having fun exploring each of the games or programs he was covering. It’s like I had a relative who worked at the game factory, got the game a couple months early, and was excitedly telling me all about it.

Coverage of video games nowadays typically bucks all of that.

Sure, they put on the veneer of ‘hey, we like video games as much as you do, you should come let us tell you all about them (please visit our sponsors and click our ads)’. And that may be true, on a strictly personal level. The individual authors might actually love video games, but I do sometimes wonder (playing a lot of games is not necessarily the same as loving games). Regardless, the way old media covers news just doesn’t work well for video games, now that the Internet is a thing. Print and broadcast media are just animated corpses who don’t know they’re dead, and will continue shambling on until their viewership dies and that recurring subscription drawing directly from their checking account that they forgot about setting up in 1998 finally stops. Besides, websites are easier to update, can get information to more people more quickly, can be corrected in real-time if errors are discovered, and so on. Which is all true. And video games are a unique product, they combine elements of books, theater, music, art, mime, imagination, interactivity, and so on into a multimedia product that stands alone.

Websites are uniquely positioned to cover video games precisely because games and websites can both be a multimedia experience. We can get an image, hear a sample of a song, see the game in action. We can vicariously experience every facet of the game itself without actually playing the game. That’s huge.

But this is the Age of the Internet. We want more. So news sites get lots more screenshots and preview videos, because those are easy enough to get and to distribute to everyone.

But we want more.

So they track down concept art, game play trailers, and developers will sometimes cobble together ARGs to increase awareness of games. It’s a little more work, but you can’t start the hype machine too early, right?

But we want more.

So sites start to bug developers to give out any morsel of information about whatever they’re working on. We scour twitter and other social media pages for anything even resembling news, because game developers can’t have normal lives on social media, they have to answer questions about their games constantly, we obsessively check the trademark office to see if something’s been registered that might possibly be the title of a game a developer might be working on now or in the future, or not at all. It’s all filler, of course, but you have to put up something to take up the time between the Good Stuff(tm), right?

But we want more.

There isn’t much more in the official channels, so sites will start posting rumors, water-cooler talk, and what few unique pieces might come from other sites that you don’t visit (so you don’t have to sully your fingers by going there yourself, you see). It’s filler that gets put up between the filler we mentioned above. If we don’t have something new up for our readers every time they refresh the page, then they might look at another website for a few seconds, and that means that we’ve failed.

But we want more.

It’s New Games Journalism, and I’ve grown to hate it.

I realized a while ago that blogging can be a form of journalism, if done right, but a lot of the blogs just don’t do it right. They update so often and many of the articles have so little actual content, that I gradually began to tune them out in favor of the actual original pieces. The news and original reviews that I was coming to the site in the first place to see began to get more and more unpalatable. In an earlier article, I called it Nerd Pride or Nerd Arrogance, but I think it’s more accurate to call it Nerd Hubris. I pick on Destructoid a lot for this, because they’re one of the worst offenders (“We’re so awesome that you should visit our site and love us because we’re so awesome and edgy, and we’re also attention junkies, just like you would be if you were awesome like we are”). Other sites are more subtle, but the subtext of a lot of the articles is the same.

And I don’t have to like it. I could try to change the status quo. To buck the trend of those already bucking the trend, and try to at least start my own site, covering things the way I want them to be covered. Without all the navel-gazing, the hip-edginess, the firehose of constant updates in favor of longer, more researched pieces, and so on.

But I can’t.

I don’t have the time, the energy, or the connections to do anything like that full-time. I could throw away my current career and try to get a job at one of these places, you know, try to change them from the inside. But:

  1. If the hiring managers from one of those sites reads this article, I’m pretty sure they won’t want to hire me. Don’t want any trouble-starters, you know. Even though starting trouble and bucking the system is what they do
  2. For the less edgy sites, my lifelong passion for video games, and the nearly 12 years I’ve spent documenting is is completely worthless, as far as writing experience goes (believe me, I’ve applied to every site mentioned here, on and off since at least 2004)

So, am I bitter, angry, antagonistic, or some other negative adjective? No, not any more. I just have to change where I get my news. Once I stopped going to websites with writing styles I didn’t like that were covering games I didn’t care about, I started to feel a lot better about video games as a whole. And, yes, it’s true that I don’t usually know when the new Gears of Duty is coming out. Or obsess over every instance of a game developer losing his mind. But instead I have a lot more time to play the games I buy rather than obsessing over every detail of their inception, production, and release, then moving on to the next one as soon as they come out. I can enjoy video games on my terms. I’m not under constant pressure to get the new, hot thing, and I can appreciate games as more than an ephemeral experience.

And that’s really what it’s all about anyway.

LAN Parties

Wednesday, August 7th, 2013

Just over 10 years ago (yeesh!) I did a little writeup of Million Man LAN 2. I enjoyed it, but not quite as much as the first Million Man LAN, and I haven’t been since, which is something I’m going to fix this weekend.

Million Man LAN 2 wasn’t my first event, either (or even my first MML). I first heard about this ‘LAN party’ thing way back in April 2000 and convinced a buddy to pack up our computers, drive to Louisville, Kentucky (a mere 120 mile drive), and pay some people some money for the privilege of using their network to play games nonstop for an entire weekend. It was something called ‘LanWar 7‘.

We arrived to Louisville a bit ahead of schedule, and it was the first time either of us had driven that far out on our own, so we took some time to drive down the main drag and check out some of the sights. And, once we stopped at a local Hardee’s to use their restrooms, we realized that we had crossed into another time zone and we were actually late.

Whoops!

But, we finally arrived to the University of Louisville campus, paid our registration fee and hauled our computers inside. What I saw was mind-blowing: rows and rows of people and computers playing games (Quake 3 Arena, Half-Life DM, and Unreal Tournament? Yes, please). There were also file servers full of interesting files to download (all legal, of course), an IRC server, a projector showing geeky videos on a big screen, etc. etc.

It was an incredible experience. I’m pretty sure I didn’t even blink all weekend as I tried to take it all in, and when the weekend was over I hopped on ICQ and tried to get everyone I knew to go to the next one. We gradually got more and more people interested and even formed a loose-knit group of friends who attended LAN parties regularly. And, for the next several years, we went to various parties around the area. Bi-weekly LAN party in the attic of a PC parts store? In. Local LAN party needs staff members to help pull off the event? I’m totally there. No LAN party this week, but want to play LAN games anyway? Just have a mini-event at my house. No problem.

If this all seems weird to you, you have to remember that broadband was still in its infancy around this time. My home internet service at the time had just been upgraded to a blistering 0.5 Mbps, which was phenomenally fast (10 times faster than my crappy old dial-up modem, anyway). Trying to play multiplayer games on a dial-up modem? Forget about it. It worked, sort of, and you had to tie up your phone line while you played. Forgot to disable call-waiting/someone else needs to make a call and picks up the phone/cat knocks the receiver off the hook? Too bad, game over. So, broadband helped with the reliability problem (connected all the time, and I can still use the phone? Sold!) but trying to find people to play games with was still a bit of a chore.

Downloading the latest Linux distribution (or your other favorite large file) would still take hours (or days), and practically necessitated a download manager to get them all while you slept. So, to find a place where there were not only people playing games on reliable private network, but that there were also the files you wanted, but didn’t want to tie up your Internet connection to get available was an amazing experience. To experience that with hundreds of other people who also loved computers, technology, and video games was just eye-opening.

Social networking sites didn’t even really exist yet, and in my hometown, finding tech-minded people was (and still is, sadly) very difficult. Facebook and Twitter wouldn’t even launch for several more years, so to even find people in the larger enthusiast/gaming community (heck, finding that the community existed at all) that you could actually talk to and interact with? It was an experience like no other, and an experience that I wouldn’t trade for anything.

But, like the local arcades, I’m afraid that LAN parties are not long for this world. Reliable, fast broadband is reaching more homes and more people than ever before, Free-to-play and MMORPG games haven’t quite displaced LAN gaming yet, but they’re getting close. Lots of multiplayer games these days rely on some servers out on the Internet somewhere. Social networking and video streaming sites mean that I can find and virtually interact with anyone with any interest (just about) anywhere on the planet without having to leave the (relative) comfort of my own chair. And the Old Guard is, well, getting older. I’m past the point where tearing down my computer and hauling it a state away has become tedious. I have a full time job now with real responsibilities (geez, when did that happen?), and killing a weekend or so playing games is a tough sell. Finally (I have yet to see this firsthand, since I haven’t been to an event in several years), I suspect that the younger crowd aren’t replacing the folks who aren’t coming any more. Likely, they don’t see the point.

So, tomorrow morning, just over 13 years after my first event, I’m going to tear down a computer, load it in a car, pick up the same buddy I picked up then, and drive back to where it all began for me, to the scene of what will likely be the last actual LAN party that I go to.

It’s been a good run.

Never trust a gamer who doesn’t own any bad games

Sunday, August 5th, 2012

It’s no secret to anyone that’s visited the Crummysocks family of sites that I do sometimes play the odd, or sometimes very odd, terrible game, and then talk about it at length. Sometimes that’s because the game I played was so bad it crossed over into awesome, but that’s not always the case. A lot of times, the game is just bad. And, yet, I keep most of them.

That doesn’t make a lot of sense, especially for the truly bad ones. Why would I keep something around that I didn’t like, and have very few (if any) good memories about. I’ve touched on this before, but I think it can be summed up as: bad games make me appreciate the good games more.

Take a site like IGN for example. They love to gush on about how great Latest Blockbuster 4 HD is, and you will find the occasional review where they find something terrible and treat it appropriately. They even address this in their site’s Ratings FAQ

And yes, sometimes people are eager to play games that turn out to be really bad. No one wants to review just the AAA titles. It gets boring after a while to write high praise for everything.

And, even though IGN is currently hovering at about a 68% aggregate rating, which tells me that they might give some of the good games a little too much praise, and might knock a few too many points off for the faults in the less-than-stellar ones, they at least acknowledge that if all you have is wonderful things, those wonderful things become pedestrian, and your perspective is skewed.

So, with that said, I figured I’d share a few of the games from my actual collection, and how they make me appreciate something better.

Exhibit A:

Kung Pow

The uploader of this video has disabled embedding, so you’ll have to click the image above to view the video, and you really should. 15 years later, I’m still wondering how this game got released.

Game: Clayfighter 63⅓
Genre: Fighting
System: Nintendo 64
Released: October 21, 1997
Offenses: Aside from the massive delays, cut features, and the most unfunny jokes imaginable, this game also includes: poor controls, uneven difficulty, blatant racism (it was a different time, 1997), unbalanced characters.
What it makes me appreciate: The very games that this is attempting to parody: Killer Instinct, Street Fighter, Marvel v. Capcom, etc.

Exhibit B:

Game: Teenage Mutant Ninja Turtles: Fall of the Foot Clan
Genre: Side-scrolling beat ’em up
System: Nintendo Game Boy
Released: August 1990
Offenses: Prerendered cutscenes, challenge-free gameplay, somehow combines cartoon ninja turtles and video games to create something that boring and tedious.
What it makes me appreciate: That we live in an era that allows for video previews, enemies smart enough to not get stuck on terrain, player characters who aren’t just re-skins of each other.

“Oh sure,” you’re probably saying, “pick on games that are 15 years old or more.” Alright, how about something from the last five years?

Exhibit C:

Game: Avatar: The Last Airbender – The Burning Earth
Genre: Beat ‘Em Up
System: Xbox 360
Released: November 12, 2007
Offenses: Just the one. If you’re (somehow) unfamiliar with how the Xbox Achievement system works, it goes something like this: the game developers put in a series of tasks that a player can perform during the course of the game. These can range from hitting certain plot points to collecting some arbitrary number of widgets, to finding all of the secrets hidden in the whole game, to just about anything. Each of these tasks is worth a certain amount of points, which go on your profile along with a little picture and date you performed the task. Most games top out at 1,000 points for completing all of the tasks. Avatar, however, dispenses with most of the challenge of completing the tasks, and instead of giving you numerous varied tasks to perform, it asks you to do one thing. And, even if you weren’t trying to complete all the achievements in two minutes, you’d do it in pretty short order anyway.
What it makes me appreciate: I get it, coming up with achievements that are interesting, challenging, and achievable in a reasonable length of time, is really hard. So, it’s really great to see a list of achievements are actually fun to do, and not tedious grinding.


Now, I’m sure someone will point out that a lot of people sell their used games back to Gamestop or wherever. That they take the bad ones back and exchange them for store credit on something that they’d actually enjoy. And that’s fine. But if I can’t find something at least a little bit bad on their shelf, I start to wonder about where they’re coming from.

Let’s Play!

Thursday, June 14th, 2012

Back around 2006 or so, some of the folks over at the Something Awful forums apparently decided to start playing through some video games and providing commentary via screenshots and captions. Which is a great way to vicariously experience a game while you’re browsing the Internet at work.

Then, sometime in 2007, the Video Let’s Plays started to appear. This was essentially the same thing, but instead of pictures and captions, we get full video and running commentary. Kind of like one of those old hint videos in the 80s/90s, but going through the entire game. (Without the commentary, it’s what’s called a Longplay)

There are lots of kinds of Let’s Play videos, but I think I can break them down into four categories:

  1. People who play through games just to get angry and yell/cry.
  2. People who play through games without a specific goal, just to play until game over (they may or may not complete the game)
  3. People who have a vlog, but with a video game playing instead of showing their face
  4. People who play through the game to completion, showing off gotchas, tips, and tricks, while providing interesting commentary

The barriers to making a Let’s Play video these days are absurdly low. All you really need is a game to play, a video capture device, a microphone, maybe some video editing software, and an Internet connection. Since I had all of those things handy (and there are about 7 million Let’s Play videos on Youtube already), I figured I’d dip my toe into the world of Let’s Play as an excuse to play through some of the games just kind of sitting around here, but I didn’t want to do any of the first three, since they’re pretty boring to watch. So, I figured I’d give #4 a try, which you can see below.

So, if you ever wanted to know what I actually sound like, or if I actually have any video game chops, now’s your chance to find out!

Space Invaders

Tuesday, June 19th, 2007

It’s amazing to think that as recently as 1978 Video Games were just starting to *ahem* invade our collective consciousness Although I never really cared for it very much, it’s hard to deny the impact that Space Invaders has had on the culture and the industry.

” The game was so amazingly popular in Japan that it caused a coin shortage until the country’s Yen supply was quadrupled. Entire arcades were opened in Japan specifically for this game.”

Link! (The ultimate Space Invaders Page.)