Archive for the ‘editorials’ Category

I like what I like

Sunday, January 4th, 2015

Over the weekend, I had some more free time than usual, so I decided I’d try to take my own advice and actually try to pare down my backlog a bit. The problem I run into is that lots of the games I have are so long, and my time to play them has shrunk as I’ve gotten a career that doesn’t involve me playing video games all day. That means that I look at games just sitting there waiting for me to play them that take 30+ hours to play through once, and then I think about the time commitment, the opportunity cost of doing something else (like reading something or watching something on television), and the lazier option usually wins.

But I decided that I wanted to make an effort and actually get through some of these things that have been sitting in my library (in some cases, for years). Or, if not get through them, at least try them to see if they’re any good. So, to that end, I decided to play a couple of indie darlings that weren’t too long: Fez and Journey. Both looked interesting, and I more or less knew what I was in for (and I knew that I could do a playthrough of them over the course of a long evening or two). What I found surprised me: I didn’t really like them.

Fez, I didn’t like because the primary mechanic made the game clunky and tedious. Journey, I liked a little bit better, but it seemed like it was trying too hard. I’m clearly in the minority on both accounts.

It’s been suggested to me on occasion that my tastes in games is weird and I don’t like popular games just because they’re popular and if you tell me I have to like it, I won’t like it out of spite. That’s only partially true.

It’s true that I do like weird, off-the-wall games. Always have. I also liked some popular games like the Half-Life series, or the Final Fantasy series (through 8, I haven’t played anything past that except for the MMORPGs). But there are also hugely popular games that I didn’t like for one reason or another, such as the original Halo or Dragon Age: Origins.

I won’t bore you with a blow-by-blow account of popular games that I did or didn’t like, but the point I’m trying to make is: I’m not wrong. If you like the games that I didn’t, you’re not wrong either. I know that this is going to sound corny and completely obvious, but different people like different things for lots of reasons. That’s a wonderful thing.

Your opinion is uniquely your own. And, no matter what critics or naysayers say, you owe it to yourself to form your own, and to not take the word of reviewers or experts as gospel. Consider their opinion, certainly, but never feel like you always have to agree with the herd. Just remember: if you’re honest, going up against popular opinion doesn’t necessarily make you a hipster or a troll. It just means that your opinion is not perfectly in line with everyone else’s.

That doesn’t make you weird. That makes you normal.

Don’t worry, I won’t tell anyone.

Another year

Friday, January 2nd, 2015

I’m not one for navel-gazing, but I wanted to take advantage of the change in the calendar to reflect a bit on the past year, and what I’m doing now.

When I last updated, we were on the cusp of participating in the Extra Life for Kids video game marathon. We were successful, and were able to raise $600 for Riley Hospital for Children. That was pretty great.

I also managed to keep this site updated for several weeks in a row, something that I slacked off on when I started preparing for the marathon. However, I also was working on launching This Videogame Rocks, which is a website to chronicle my love of video games and video game culture, and to tie in and hone all of the skills that I’ve acquired while farting around with this site, while having a less embarrassing domain name to say. I’m still working on finding my groove over there, so it’s pretty light on content for the time being. But, please, check it out and let me know what you think.

This is also the time of year (well, last week was, I guess) where people tend to set New Year’s Resolutions. I don’t do that. Not because I think I’m better than anyone or because I don’t think that I can improve in any way, but because New Year’s Resolutions almost never stick. Setting a whole bunch of lofty goals all at once and then getting frustrated because I can’t do them all flawlessly is just a recipe for failure. Besides, why would I vow to improve myself only one time a year? Self improvement is a never-ending process, and one that I maybe don’t do as well as I could. But I don’t worry about that. I look at what I’m doing and where I want to be and make adjustments as needed. I might fail, I might not. But, as they say, the journey is more important than the destination. So, if I’m destined to fail (and I hope I’m not, but who can say), the best thing I can do is to make sure that I have fun while failing.

So, join me, won’t you?

Won’t you?

Know Your Onions

Sunday, October 12th, 2014

One of my English teachers in high school liked to say that at that level, we’re not actually learning history, we’re actually just learning History’s Greatest Hits. At the time I just laughed it off as a silly joke (he made lots of those), but, over time, I realized he was right. You go through school and get an overview of history (and just about every subject) by hitting the high points so you’re not completely ignorant of how the world and the US got where they are today. But the thing is, there’s so much history (and more of it all the time!) that it’s impossible to know it all. If you’re interested, though, you will go beyond the bare minimum required to pass your high school (and even college) classes. Most of us, though, probably don’t care about that kind of history enough to do more than watch the occasional documentary on PBS, or whatever Drunk History counts as. So, we know some history, but historians, people who love history, know lots more. That sounds obvious, but they do more than watch documentaries in order to feel smart. They do research: they read books (the horror!), they talk to other historians, they visit historic places, and so on. They know that there is more to history than everyone was required to learn in school, and they know that knowledge is out there, they just have to go get it. A lot of times they’ll specialize in one particular area and learn everything they can about it.

You probably think that being a hardcore historian is probably not for you, though. You may not care if Shakespeare actually wrote all his plays or not. You may think that Socrates is just some dead Greek dude who was the subject of a few jokes in the first Bill & Ted movie. Besides, you like video games (well, if you’re reading this site, there’s a pretty good chance that you like video games). Video games are way better than boring old history any day of the week.

But what about video game history?

Felipe Pepe wrote an intresting article on Gamasutra the other day lamenting that a lot of so-called ‘hardcore gamers’ don’t know much about the history of video games past five or ten years or so ago.

That is a disappointing realization.

Video games are becoming (or maybe have already become) a mainstream form of entertainment for everyone, but they’ve been around in one form another since at least the late 1940s. No, that’s not a typo.

Warning: From this point on, I’m going to probably sound like either a hipster or an old man yelling at a butt. You have been warned.

When I say “retro gaming” or “old video games” what do you think of? I’m going to guess that it’s Super Mario Bros or The Legend of Zelda. Maybe just the NES, Super NES, and maybe even the Genesis. Possibly Pong. You may even know that Pong was a big deal in the 80’s. It was, but it was an even bigger deal when it came out in 1972.

You may have heard about the Commodore 64, but do you know anything about it? Can you name five games for it without looking them up? Have you ever heard of the VIC-20? The PET? The Commodore 16? The Commodore 128? The Amiga? Do you know who Jack Tramiel was? Do you know why Bill Cosby is an important figure in Commodore’s history?

You might have heard about the Atari 2600, but what about the reissued Atari 2600 Jr.? The Atari 7800? The Atari 8-bit line? Do you know who Nolan Bushnell is?

Did you know that Texas Instruments had a line of computers that played games? Did you know that the TI-99/4A is actually a revised model of the TI-99/4? Did you know it supported a voice module to enable real actual speech? Do you know who its spokesperson was and why that’s important?

Do you know why games like Diablo are called ‘rogue-like’?

More importantly, have you ever actually played these games that are more than 5 years old? How about 10? 20? Further back? I don’t mean ‘load them up in an emulator and fart around with one for five minutes’, I mean actually play them for a decent amount of time. Try to finish one or set a high score (without abusing savestates, natch). Did you play something outside of the games you’ve heard of (the ‘video games greatest hits’)?

The Problem

While doing some independent research on Ironsword, the game infamous for having Fabio on the label, Wikipedia cites a GameSpy article that says:

You wouldn’t know it from the cover, but IronSword is actually a sequel to Wizards & Warriors. But thanks to the presence of Fabio on the cover, gamers got confused and thought they had accidentally picked up one of their mom’s romance novels.

It also posts a cropped picture of the label (with Fabio’s Fabulous Hair) with the caption that “Anything Fabio is involved in becomes automatically bad.”

I suppose the author was trying to be funny, I get that. But it’s pretty clear that the image was cropped to make that joke, since the full image clearly has, “Ironsword: Wizards & Warriors II” at the top of the label. And, I guess I could mistake a video game for a book if I had never seen a book or a video game before. And the game itself is actually pretty good.

The problem is threefold:

  1. Old consoles are hard to find, take up room to store, and emulating games is questionably legal.
  2. A lot of writers for big sites are in their 20s. That’s not necessarily a problem, but a lot of these games came out before they were born, and since old consoles are tough to find, they probably won’t bother. They just rely on Wikipedia, cruddy Youtube videos, and other sources of second-hand (or even third-hand and fourth-hand) information.
  3. Since old consoles are hard to find, and a lot of people won’t bother trying to find or buy them anyway, the echo-chamber effect starts to take over. For instance, Phalanx for SNES usually gets lambasted as having a dumb box featuring a hillbilly playing a banjo. The game must be terrible, whatever it is, right? Wrong. It’s a passable shoot-em-up. Or, ET for the Atari 2600 is the worst game ever made, right? Nope. ET isn’t even the worst game on the Atari 2600 (Sneak ‘n’ Peek, for example). Custer’s Revenge gets a bad rap as one of the worst games ever made (and it is bad, don’t get me wrong), but it was one of those porno games, like Bubble Bath Babes on the NES (don’t Search for these games at work). It was never sitting on the shelf at your local Hills next to Kaboom and Chopper Command.

What all this means is that we have a lot of people writing authoritatively on things that they know very little about. It’s like if you were writing for a music website, but the only thing you knew about music older than 10 years is the songs from your local radio station’s 80’s dance mix, and you just assume that everything pre-1970 is either The Twist or the Foxtrot.

So, what’s the solution?

Unfortunately, I can’t demand that everyone writing about video games broaden their horizons in any meaningful way (if only). But what I can do is demand excellence, both from myself, and from the publications that I read. At the risk of being labeled a pedant and a hipster and a fogey, I can point out why your top whatever list is dumb and wrong, like this list of the 100 best games of all time that only has one game made before 1990 on it (which is Mega Man II. That’s not even the best Mega Man game on the NES).

I don’t want the industry, the consumers, or the media to forget what got us here. I don’t want the past 50+ years of games distilled down to Pong, Pac-Man, some NES stuff, and then everything else. I want to be able to discuss Pix the Cat as being a cross between Pac-Man Championship Edition and Flicky without someone not knowing what I’m talking about. We need to have one eye on the past and another on the future. And a video camera on the present, I guess? I’m not good with metaphors. Video games have a vibrant history, and a lot of that history directly shapes what we have today. Several of those experiences have not been duplicated. They may have been refined or cast off as the medium evolves, but when we study them, it helps us to know why things are now the way they are.

Indie, Indie, Indie (Games)

Sunday, September 28th, 2014

We live in a weird time for video games. They’re becoming (and some might say, have already become) mainstream entertainment, and as they grow and mature, and grow, and then grow some more, we start to see some interesting things happen. The barriers to enter the video game market are as low as they’ve ever been, anyone with a computer, programming reference materials, time and passion, can make a game and get it to market, but budgets for so-called “AAA” games are bigger than they’ve ever been, and are getting bigger all the time. Bigger budgets mean that there’s more of a needs to recoup any costs, and doing that means playing it safe. Do what worked in the past, tweak it a little bit, increment the version counter, and then sell it again.

The downside to this is that there is less risk-taking, less variety, and more homogenization. This is good, if you like the current blockbustery flavor-of-the-month game, which I usually don’t. If you’re anything like me, and I’m starting to think that very few of you are, then you want something new once in a while. Something with new characters, new settings, new gameplay ideas, and new concepts.

This is where ‘indie’ games have started to step up their game. Apparently, the only real qualification to be an idie game is that it is developed without backing from a publisher. In the traditional model, a game company would either have an idea, get it to a prototype stage, and search for a publisher to fund the remaining development of the game, or they would be approached by a publisher about making something and then they would get funding to make it. This is weird, since a big-name developer can develop a game and technically it would still be ‘indie’, even though the idea of ‘indie’ seems to be a small team slaving away in a tiny studio somewhere, that’s not always the case.

*I feel like I should note at this point that indie game developers have been around since removable media was invented. You might remember something called ‘shareware‘.

So, what all this means is that, if you want to look for them, there are lots of games being released outside the traditional channels. They won’t necessarily show up in stores or on your favorite video game “news” site. But they’re out there. In fact, there are so many indie games out in the wild now that it’s quickly becoming impossible to even attempt to play them all. And, if you want to develop and release something into the Indie World(tm) you’re going to almost immediately get lost in the shuffle. Unless, of course, you generate buzz.

How do you generate buzz? Word of mouth works, if your game is truly amazing, and you can get a critical mass of people playing about it in the first place, and those people actually tell other people about it, and those people actually download the game and like it, and then continue the cycle (which is much harder than it sounds). Or you can try to get some coverage on one of the millions of game blogs out there. Or you can try to get your game into one of the dozens of ‘indie bundles‘ floating around the internet. Or, etc., etc. All while combating piracy, providing technical support, and maybe trying to work on whatever’s next, all while trying to put food on the table and make sure bills are getting paid.

This means that for every Minecraft or World of Goo or <insert_favorite_indie_game_here> there are dozens of games like Kairo, Goat Simulator, or Dungeon Hearts that just aren’t very good (if you liked them, fine, I’m not here to start an argument), and finding the gems in the firehose of mediocrity is extremely difficult.

So, where does all of this leave us? On one hand, we have formulaic games coming out at a rapid clip with high production values, high cost, and high marketing budgets, and on the other we have games that come out and absolutely insane pace, have production values all over the place, cost a bit less (usually), and have marketing budgets so small that you couldn’t use it to buy a Big Mac. The signal to noise ratio is about the same, but “news” about blockbuster games falls into my lap, and I have to work to find an indie game I might like.

I don’t really know what the solution to all of this is. Maybe there is none. But I do know that the video game landscape is changing faster than the media covering it has been. Weren’t blogs supposed to be faster, and more agile than print media, without the physical limitations? Weren’t they supposed to be able to react and adapt to change, while still covering what’s important?

I’ll tackle that can of worms next time.

Backlog, Schmacklog

Sunday, September 14th, 2014

As recently as a month ago, I was making grand proclamations about how I was going to knuckle down and get my backlog under control. I was going to pare down that list bit by bit and eliminate it once and for all. That was a good idea, in theory, and I am still making progress toward that goal, but I very quickly came to a realization: No matter what I do, my backlog is probably never going to be zero.

And I’m okay with that.

Now, I’m not saying that I’m giving up and am going to let myself drown under an ever-growing pile of unfinished games. That would be crazy. But I did go through my backlog and I identified three kinds of games in there and my likeliness to get them finished as a good first step.

Type 1 – Games I got as a part of a bundle that I didn’t really want in the first place. There are way, way too many game bundles floating around on the Internet. Lots of these game bundles are ‘pay what you want’ with special plums if you pay over a certain dollar amount. The big problem is that you get a game that you want, that is maybe pretty good, and you also get four or five (or more) other games that you’ve never heard of, didn’t really want, and may never play. I have lots of these artificially inflating the number of games in my backlog, so it looks worse than it actually is. It’s tempting to get rid of a lot of these games, but since most of them are digital-only, I’m stuck with them.

Type 2 – Games that looked interesting or were recommended, but it turns out that I didn’t like. Games like 3D-Dot Game Heroes get moderately favorable reviews, and look interesting enough for a try (or were in the bargain bin), but on putting them in, it turns out that they’re just not very good. I’m sure that to someone somewhere these games are good, but I’m not going to waste my time slogging through them if I’m not having any fun doing it.

Type 3 – Games that are just too long. Probably until I either retire or hit the lottery, my time for playing games is limited, and even when I do get a chance to play, I may not be able to play in long stretches. Some weeks I can manage six or eight hours, and other weeks it’s a bit less (like zero). That time may not be in big chunks, either. Some days I might only have a few ten or twenty minute chunks of time that I can devote to a game, other days it might be two or three hours. If I can’t pick up a game and put it down after a few minutes, I may end up putting it down and coming back to it just after never. If a game takes 40 or more hours to complete, and I can work in 10 hours a week playing it, it’s still going to take me a month or so to get to the end.

What are the odds that I’m going to finish these up? Type 1 is very unlikely. I might play it once to see what it’s all about, or I might never look at it. I didn’t really want it in the first place, so these don’t count toward my backlog. I can write them off.

Type 2 games can also be written off. I’m not going to force myself to play something I didn’t like. If I gave it a try and didn’t like it enough to finish it, or at all, then I’m knocking it out of the backlog.

Type 3 games are an interesting category. Games that I liked, probably, but took so long to play that I just got tired of playing them every free evening for a month or more. These games I’d like to get back to, but the odds of me doing that are directly related to how long it’s been since I played it last. A game that I last played a month ago? There’s a decent chance I’ll give it another go in a couple of weeks after I’ve played something short to ‘cleanse my palate’, so to speak. Something I stopped playing in 2007 two consoles ago? Assuming I remember that I have a saved game, and the console is still hooked up to my television, I might play again. But, realistically, we can take these off the list, too, if they haven’t been played in the last year.

And, just like that, my backlog goes from insane and completely unmanageable to slightly off-kilter and kind of manageable.

It’s a start. I’ll take it.

Chasing Dreams

Saturday, September 6th, 2014

Regardless how the last few entries to this site have appeared, I don’t usually like to be maudlin. But I wanted to touch on a subject that I’ve talked about before: the aim of this site, and where it goes from here. But that requires a brief history lesson.

I registered the domain name crummysocks.com on December 17, 2001 on a lark. I was in the midst of finals in college and we were learning all about web programming languages, scripting languages, databases, and lots of etc. I figured it would be fun to grab a domain name and do some of that for myself. At that time, services like Bust A Name didn’t really exist (or if they did, I didn’t know anything about them), so I drew inspiration from my surroundings, saw that I was wearing threadbare socks that day, found that crummysocks.com was available and registered it, put together an old computer in my kitchen running Debian GNU/Linux, downloaded PHP-Nuke, and boom, I had (more or less) had a website.

I didn’t really have much of a goal at first. I just wanted to learn about putting together a website, and I think that I’ve succeeded in that (plus lots of other things). But my goals were ever changing, and I could never fully dedicate myself to a concrete vision for a long enough length of time. I would even spin up a sister site for a while once an idea struck, but intereste tended to fall off for any of them after too long, which left me discouraged. I also tried lots of things with this site, most of which didn’t really pan out. Like that failed attempt at turning this site from a regular ol’ blog way back in ought-three, to doing gamy-style blog-posts-masquerading-as-news, for a few weeks in ’07, right after I finished my short stint in the video game industry.

Image showing an uptick in the numbers of articles written from June through July of 2007

That was a productive two months

Yes, a lot of this material was covered a couple of years ago, so I won’t really be retreading that old ground again, but this site is important to me. It’s one of the first things that I created that I actually stuck with and added to and experimented with and learned from. So, it’s not going to go away any time soon, but I have to seriously look at it and decide what I want to do with it, where I want to go, and if maybe something is holding me back.

At one time I wanted to be come a professional web-guy that talked about video games, technology, and various other techy-related-things, and I have made some half-hearted attempts to crowbar this site into that mold, but that didn’t happen. In fact, very few of the things I’ve done here have even been seen by more than a handful of people (with a couple of exceptions).

So, why does this site struggle to find anything to ‘stick’? I have a few theories, and a lot of data, but I’ve narrowed down a few reasons that might not be the whole reason, but are enough to give me pause:

  1. This site has struggled with its identity for nearly 13 years. I never really had much of a focus for it, and whenever I did think I had a great idea, I shunted it off to another site where it never really gained much traction, and this one suffered from neglect in the meantime.
  2. I don’t market my site enough. When I first registered this site, I would go around to computers on campus and navigate as many computers as I could to crummysocks.com, and leave the browsers there. I wouldn’t set it as their home page, but I would try to make it look like someone was browsing the site, lost track of time, and then just left the browser open to something I had written. It didn’t really work very well, but these days I might spend a half a day writing some article or another, and might give out a feeble, “Hey, I wrote something, check it out, I guess” on Twitter… and that’s it.
  3. It’s possible that the things I write here just aren’t that interesting to anyone but me. I don’t really have any hard statistics on how many people I have subscribed via RSS, but I’m pretty sure it’s not many. Any time I post something, I get a brief uptick in views, but little to no feedback. I might get a comment or two from a friend or family member (which is appreciated, mind), but content here doesn’t seem to get traction anywhere, which is concerning. That leads to frustration, which leads to a content drought, which leads to even fewer visits, etc.
  4. I admit it. Crummysocks is embarrassing to say. It was a cute flight of fancy when I was a struggling college student, but now, well, it’s kind of less cute. I don’t really think about it any more, until I am confirming some information over the phone with a real actual person. When they’re verifying my email address I can hear them trying to hold back the, “Crummy Socks? What on earth is that about?” in their voice, and then I’m embarrassed. I don’t even like telling people I know about the name of this site because it sounds kind of dumb any more.

I could go on and on, but I think there’s a lot of good takeaway here. I need to re-envision what it is I want for my website to be. It’s probably time to de-emphasize this site (hey, 13 years is a good run) and put my full effort behind something a little more… respectable, I guess?

Not that this site is going to go away any time soon. You don’t just work on something off and on for thirteen years and then just casually discard it like… something funny… that you casually discard. No, now is the time to focus. To take all of the things I’ve learned from my failures, creating a YouTube series, running a video game marathon, and all of the disparate things that I’ve learned to do, and put them all together to make… something.

Okay, I haven’t actually figured out what that thing is yet. But these weekly updates are to help me shake off some of the writer’s rust (that’s a thing, right), which is definitely a step in the direction that I want to go.

I don’t have any gaming guilty pleasures

Sunday, August 24th, 2014

Every once in a while, probably to foster discussion, I see a website or a twitter account ask what gaming guilty pleasures that I have, and my answer is always the same: I don’t have any.

So, what is a guilty pleasure, anyway? A guilty pleasure is something that you enjoy (game, music, movie, activity, whatever) that you feel guilty about liking, and maybe want other people to not know that you do.

That’s odd, right? It’s not just me, is it? You have a thing that you like, but you have to keep it a secret so that other people don’t find out about it, because if they do find out about you liking the thing, then they’re going to think you’re weird. Especially if they all dislike the thing. Then you’ll be the only one in the group that likes the thing that everyone else doesn’t.

Which is not that big of a deal.

Maybe it’s because I grew up at a time where video games weren’t as mainstream as they are today. It was a time where having an interest in computers and video games was something that weird outcasts did, so it didn’t really matter what I liked. The other outcasts and I would talk about whatever games we liked amongst ourselves, and that was pretty much that. We liked a lot of the same games, sure, but we also liked games that the others didn’t, or even that the others had never heard of. But that meant we had more games to try and like or not like as appropriate.

Or maybe it’s because I’m comfortable in forming my own opinions without worrying what other people are going to think. Especially on matters as trivial as the kind of entertainment I like. I realize that this might sound like I’m being preachy or like a chapter out of a self-help book, but I don’t have a problem telling people what kinds of games I like because my friends don’t mind if like something that they don’t. Sure, they might think it’s a little weird that I don’t like the newest Shootymans 3 game or whatever, but I think it’s just as weird that they do like it. Besides, with friends lists, always online consoles, and game collections and activity being on the public Internet, trying to hide a game you’re enjoying playing from your friends is borderline impossible:

Oh, look, I spent 12 hours playing Faerie Solitaire, or I played a video game based on professional wrestling on the Xbox 360, or I imported a cutesy puzzler from Japan to play on my PS3.

So, I’m going to continue on, liking what I want to, and disliking what I want to without feeling bad about it in the slightest or worrying about what other people might think of something as trivial as my preferred video games.

I don’t like Minecraft

Sunday, August 10th, 2014

Several years ago, in the early part of the decade now known as the 90’s, I got one of my first actual jobs: working in the hands-on sciency part of the local museum. In the very first hour of the very first day on the job, my boss at the time came to me and handed me a checklist of things I was to do that day and most days. He said to me something along the lines of, “I get the impression that you’re the kind of person that would benefit from having some structure.” Consequently, I spent the remainder of the summer doing the things on that list, day in and day out, as well as any other jobs that came up (we set up a couple of 486‘s to play Tetris over a serial link. It was totally rad). It was a great job for a middle-schooler, and one that I am glad to have had.

Fast forward to about 2010 and someone forwards me a link to a thing called ‘Minecraft‘. It’s a beta, but it’s totally a blast. People are having lots of fun with it, and Ican’tReallyExplainItYouHaveToPlayThisNOW. So, I checked it out, and I farted around with it for a while, but got really bored really quickly. There was a huge expanse of stuff there, stuff that I could take, I guess? I could take the stuff and either craft it into other stuff or maybe try to build things with it? When night time comes around there are things that try to kill me and/or destroy the things I made, but they kind of come out of nowhere. The interfaces for gathering and crafting are kind of a mess, and there aren’t really any directions or anything… and I’m dead. Well, that sure was an experience.

Then I kind of forgot about for a while. Until the game’s popularity absolutely exploded. I had to ask myself if this was the same game I played a few years ago, with the aimless gameplay, the chunky LEGO-ish sandbox that only has the barest of gameplay elements to it. And it was. Millions upon millions of people were buying this thing, but I gather that they’re not really buying it for its… erm… sparse gameplay. They’re buying it to use it as a construction kit to build stuff. And that’s great for them, and great for Minecraft. But I find that kind of thing incredibly boring. Not because I lack an imagination or anything, but when I play a video game, I like to do the best that I can, within the prescribed rules. I like to have a goal to achieve. Something to work toward. Handing me something like Minecraft where there’s no real goal (yes, I’m aware of the ‘Adventure Update’), but just ‘explore’ or ‘make your own fun’, then, well, you lose me. Not because I’m incapable of doing those things, but they’re not the kinds of things that I want out of a video game. I want my games to be structured activities. I want challenges to conquer, puzzles to solve, that kind of thing.

“But,” I hear you say, “you could just play around in sandbox mode and build stuff. You can give yourself infinite resources and build whatever you want, kind of like a big LEGO kit”. And, yes, I could do that, but I barely have the kind of time I want to dedicate to video games as it is. I can’t in good conscience dedicate the hundreds of hours that would be necessary to build anything more complicated than a one room hovel without neglecting absolutely everything else in my life that’s not work or sleep, and I’m not quite ready to do that yet. Plus, I’m kind of a lousy artist (even though I did play Mario Paint so much that I wore out the left mouse button and wore a smooth spot on my SNES Mouse Pad). But the main thing is that spending dozens or even hundreds of hours making a thing just gets to be too much like work, and I don’t usually want to feel like I’m working when I’m doing something to have fun. *Note, I said that I don’t want to feel like I’m doing work, I’ll still do things that look like work in my free time.

So, games like Minecraft, Terraria, and Proteus, giving me a box of tools and telling me to go do something, anything that I want to with it, just doesn’t do anything for me. I play a video game because I like playing video games. If I want to make a video game, well, I’ll just go do that instead.

Operation: Get Stuff Done

Sunday, August 3rd, 2014

I’ve written on more than one occasion about how ponderously large my video game backlog has gotten. I would tell myself, “I’m saving up so I’ll have something to do when I retire.” Jokingly at first, and then semi-seriously. I kind of stopped saying that when I realized that the backlog had gotten so enormous that, at the rate I’m acquiring games today, even if I retired tomorrow, I might not be able to finish them all.

I mentioned before that a big reason that my backlog has almost taken on a life of its own has to do with the social component. Most of my friends and I have diverged in what kinds of video games we play, so there’s not as many things we can discuss about whatever game we’re playing, and there’s no friendly rivalry to see who can get all of the Gold Skulltulas first, or whatever.

But I think that’s only a part of the equation.

The second part is that there are just too many video games. There are so many video games coming out these days, and between the ludicrous number of bundles out there the wallet-destroying digital sales (Steam, Origin, GOG, etc.), it’s very easy, and sometimes very cheap, to quickly get so many games so quickly that the sheer number of the things hits you like a tidal wave. It looks daunting, but you can steel yourself. You know you can do this, you’ve been playing video games for years.

So you start trying to figure out what you want to play and analysis paralysis sets in. Do you want to play something relatively short, or do you want to play something that will take dozens of hours to complete? Which of these looks like it will be long enough, but not too long? Will I have time to play it around the times where I have to do Grown Up Stuff(tm)? Will I be able to put it down for a couple of days or even weeks and then be able to come back and remember where I was? What if it’s no good? The critics were all over the place with some of these games, what if I wasted my money on it? What if my instincts were right and I find that a game is actually good, in spite of the critical score. What if it was critically acclaimed, and I thought it was boring?

All of these whatifs were really slowing me down. I’ve been getting dragged down into analyzing the minutiae of my potential game experience and hemming and hawing about what game to play so much that instead of playing games, I’ve just been thinking about how nice it would be if I could play some of these games in my backlog, but I just don’t have time.

Or is that really true?

I wasn’t sure. I mean, I have more responsibilities now than I did when I was younger. I have a full time job, a house, I have to do my own laundry, buy and prepare my own food, maintain my own vehicle, and so on. But I’m not actively doing one of those things every moment of every day. For example, I do sleep on occasion. But what do I do with all of my time? Where does it go? I decided to find out by my typical method: overanalyzing the situation, to find out. And that means, making a chart.

Pretend there’s a chart here that shows what I’m likely to be doing at any given hour of the day.

The chart was interesting. It showed me that I have about 30 hours per week where I’m doing nothing in particular. It also showed me that even though I don’t have an 8-5 job any more, that I’ve still got my sleep schedule set up like I do. And that means that I’ve got a couple of hours that I’m spending idle every morning that I could be using for something besides sitting around waiting for time to go to work. I also have more time during the weekend than I originally thought, even though it’s pretty well scattershot through the day.

That’s encouraging.

That means that I do have time to get some game playing in, and I can slowly whittle down my backlog if I can manage to shoehorn it into the timeslots I have available. But, there’s another problem.

Motivation.

It’s weird to think that I would ever need to get myself mentally motivated to play video games, an activity that I have enjoyed for most of my life, but sometimes that motivation just isn’t there. I could play a game anyway, and see if that forces me to get motivated to play it more, but I don’t think I want to do that. Forcing myself to do something when I don’t really want to seems like a good way to sour me on the whole thing, which seems like a bad idea. But I can use that time to do other things related to games. I could update my blog (see the last few weeks’ worth of updates), I could read something, watch a video, create a video, and so on.

*A very important aside, I know that loss of interest in activities that you used to enjoy can be a possible sign of depression. I’m pretty sure that I don’t have that, but if you think you might, nothing I say in this article is going to help except this: I encourage you to find someone qualified to help with depression and they will help you. Depression is a serious issue, and not something that this article (or any other article on a crappy blog site) is qualified to help with.*

I also want to set some goals for myself so that I can revisit this post somewhere down the line and see if I’ve actually made any progress in whittling down the backlog. Feel free to follow along or add your own:

  • Play something for a few minutes every day.
    • Even if it’s something that I’ve played to death, playing something for a few minutes is going to keep my momentum going to tackle something bigger
  • Ignore the Backloggery
    • The Backloggery is great, but it’s a pain to remember to go update it when I buy something, when I finish something, when I 100% complete something, when I start playing something else, etc. etc. Plus, there are no penalties for failure, and no real reward for succeeding, either
  • Don’t go for 100% completion.
    • I wasn’t doing this much these days, anyway, but I need to avoid trudging through a game, trying to collect ant heads or whatever for some unlock or a trophy or something.
  • Don’t rush through the game, either
    • I’m weird, I know, but I hate rushing through a game the first time I play it. I like to soak in all the ambiance and immerse myself into it if I can.
  • Play one new game per month
    • This one is going to be tricky, and my not be sustainable. But the idea here is to at least try something in the backlog instead of letting it sit there and rot, especially if it’s one of the shorter games, to see if it’s even something that I’ll like. I’ve bought some duds before, and didn’t find out about it for over a year because it took me that long to get to them.
  • If a game is terrible, shelve it
    • This goes hand-in-hand with the above. If I try out the new game and it stinks, well, then I just won’t play it any more and I’ll move on to the next one. I don’t need to force myself to slog though it to the end, hoping it will get better. It might, but I don’t really want to waste my time not having fun now for promises of something that might be kind of fun later. I need to trust my instincts, if it’s not fun now it probably won’t be fun later, either.
  • Limit MMORPG time
    • MMORPGs are great, but they will sink and steal time like no other activity I know. And, since they never really end, there’s always something for you do to in them. I had to kill my World of Warcraft subscription a while back because that was all I was doing with my free time at the time. Now, since there are so many MMORPGs that are free to play, it’s incredibly easy to get lost running around a virtual world doing things for hours and hours without actually spending a dime. That’s almost worse than a paid subscription. A paid subscription makes you feel like you need to play something to get your money’s worth out of it, a free subscription is always there, waiting on you to have an hour or three to kill, and that can be dangerous.

Of course, these are only guidelines. Who knows if I can actually stick to them or not, but I won’t know if I don’t try. I’ll be refining them as I go on, seeing what works and what doesn’t. I don’t expect to ever have a backlog of zero unless I just sell all of my games and consoles (fat chance of that happening any time soon), but I can do more to get it pared down, it’s just going to take some work.

And, who’s afraid of a little work?

Gamers are generally okay people.

Sunday, July 13th, 2014

I want to talk about some topics that I normally don’t discuss on this site, but before I do, I do want to make a few things perfectly clear:

  • Sexism is a real problem, not just in video games, but in every facet of life.
  • Racism, likewise, is a real-life problem.
  • Gender and sexual identity are deeply personal issues, and can be extremely complicated.
  • Neither I, nor anyone else, has any right or ability to tell you what should and should not offend you. All I can do is offer an opinion from my point of view, and it’s up to you to agree or disagree.

Please, refer to that list up there frequently as we go through the discussion today. I’m going to try and touch on a lot of topics that are a lot heavier than what I usually go over here, and I’m going to do it as objectively as I can, but the main point that I want to make today is: gamers are generally OK people.

If you go to Google right now and check, there are millions of pages out there that will tell you that gamers are horrible people.

Google Search that shows 70 million results for gamers are terrible people

70 million articles can’t be wrong!

They’re racist, they’re sexist (usually misogynist), they’re manchildren living in their parents’ basements (or college dorm rooms). They’re slovenly behemoths shoveling Cheetos into their gaping maws with their permanently-stained orange hands, washing it down their throats with a cocktail of Red Bull and Mountain Dew, and only pausing long enough to screech crumb-filled epithets into their headsets at the poor schlub on the other end of the match. That schlub is frequently a games-blogger. A no nonsense professionalgames journalist‘ who plays games, not necessarily for fun, but because it’s part of their job. A person waist-deep in the gaming culture who occasionally takes time of their day to remind the community, the very community that makes up their audience, the very community that the author depends on to make a living, that they’re terrible people.

That does sound like a problem, doesn’t it?

Don’t get me wrong: death threats, rape threats, threats of bodily harm, and the like are never okay.

But before we go much further, I want to look at a few numbers:

There are currently about 318 million people in the United States, and of those, roughly 58% of them play video games, and 45% of those are female. That means that right now, today, of the 184,440,000 people who admit to playing video games: about 82,998,000 are female gamers and about 101,442,000 are male, of all ages. That’s an incredibly important set of figures.

That means that something like Call of Duty Modern Warfare 3, one of the poster children for video games that spawn abhorrent behavior, which sold 26.5 Million copies… only captured about 14% of the market.

Or something like Mass Effect 3, which had an ending that was so poorly received, that it had gamers up in arms with torches and pitchforks, ready to descend on Bioware headquarters and do horrible things, sold 1.85 million copies, which is less than one percent of the total game players in the US.

So, what am I getting at? Where is all of this leading?

Clickbait.

No, really.

Most of the blogs, magazines, web series, and etc. that cover video games are profit-seeking entities. The primary goal of a profit-seeking entity is to, you guessed it, maximize profit. Sure, they may provide a good or a service that you want, and those plums can be very nice, but those are all means to an end: revenue (usually ad revenue). With the staggering amount of websites now on the Internet and the absolutely insane amount of content generated every minute of every day, it’s increasingly difficult to get your voice heard by shouting into the void. So, you rely on one of the oldest axioms in media: “If it bleeds, it leads“.

The media loves a good firestorm, and is not above stoking the coals or stirring the pot, or just glorifying being a jackass to get the most potential clicks/views out of any story they can. The media is not stupid. It knows that controversy, fear-mongering, and sensationalism get viewers/listeners/clicks/whatever. More whatever means more ad revenue, and more ad revenue means that the media outlet can pay its bills, hire content creators to ply their trade full time.

I get that.

And it’s no great secret that ad revenue for virtually every media outlet is vanishingly small. But that’s how practically all of these megablogs on the Internet work: The sites exist only to deliver ads. The content is secondary, and only exists to show you more ads and generate more revenue. Anyone that tries to tell you otherwise is either delusional or works full-time for an ad-supported entity. *By the way, I’m much more likely to put up with some nonintrusive ads if you provide me with something that I find useful and you ask nicely, but trying to guilt me into doing it won’t happen.

So, where does that leave us?

The takeaway I want everyone reading this article (both of you) is that:

  1. It would be very nice if the media stopped equating the abhorrent behavior of 14% of the video gamer community as representative of all of us (we also mustn’t lose sight of the fact that a small percentage of a large number, can still be an objectively large number). I realize that’s not likely to happen, but can we at least stop feeding the trolls? Once we do that, we might actually discover that most gamers are actually okay people, and once that happens, we might actually be able to have a real discussion.
  2. Sexism, misogyny, rape, racism, and gender identity are real issues that deserve real attention and thoughtful discussion. They shouldn’t be trivialized and used as a way to boost pageviews/clicks/ad revenue on a slow news day (or any other news day) or to build a personal brand. And they certainly shouldn’t be used as talking points to try and sell you something. These issues are more complicated than can be dissected in an occasional blog entry/video/podcast
  3. Your favorite ad-supported website exists solely to show you ads to generate ad revenue. If something even mildly controversial pops up on your favorite site and contains language that entices you to click (“…and you won’t believe what happens next!”), it’s probably there to try and generate a spike in pageviews (which equals ad dollars), and you can bet that it will continue showing up every so often to boost views/revenues. Controversy creates cash, after all.

These are all important issues, and I can’t tell you what to make of them. Use your own brain, come to your own conclusions. Consider opposing viewpoints and learn more about the issue whenever and wherever you can and be flexible enough to change your stance if you find you had some misconceptions. Don’t let the vocal minority color your perceptions of the whole community, don’t feed the trolls. Always, always, be mindful of articles trying to sensationalize something to get a rise out of you, they’re primarily concerned with clicks, ads, and eyeballs (as long as you clicked on it and looked at an ad, they don’t care about you, personally, any more). And, above all, don’t be a passive observer. Take action, participate in communities, champion ideas you feel strongly about, and help make the world a better place.